Missy Elliott Leaves Fans Speechless With Pyro-Packed Coachella Set

Missy Elliott isn’t here to reinvent the wheel, she already built the spaceship.

On Friday night at Coachella, Missy Elliott transported festivalgoers back into orbit with a cosmic, high-octane reprise of her “Out of This World” tour, a dazzling showcase that functioned as both a sonic time capsule and a futuristic fever dream.

While the set leaned heavily on the blueprint from last year’s tour, right down to the sweeping outfit theatrics of “She’s a B-tch” and the Mega Man Missy avatar flying through space during “Sock It 2 Me," there was no sign of staleness. If anything, it only proved that Missy’s vision is worth repeating.

After all, “Out of This World” marked a major milestone as it was her first headlining tour in over two decades of genre-shaping artistry. The original run paired Elliott with longtime collaborators Ciara, Busta Rhymes, and Timbaland, blending decades of music with futuristic staging, immersive visuals, and the kind of choreographed energy that made every performance feel like a masterclass in pop-rap innovation.

At Coachella, the formula remained the same as she didn't bring out any guests or surprises; it was just Missy in full form.

“This is the one and only time you’ll see anything like this in your life. So, shall we begin?” a narrator declared at the show’s start. The message was clear, with Elliot telling fans to appreciate this moment, because it’s a rare one.

Elliott emerged in a "Transformer"-inspired car exoskeleton, which she shed to reveal a sparkling race suit and bedazzled bike helmet, a nod to her ever-evolving style and theatrical flair.

She wasted no time launching into “We Run This” and “4 My People,” both deep cuts that warmed the crowd before she directly addressed them, “What’s up Coachella! I say what’s up Coachella! OK, so I want to see if I can take you way back. Can I take you way back? Day one, Missy Elliott fans make some noise! We gon’ take it back, like 90-something? Let’s go.”

From there, it was hit after hit, including “I’m Really Hot,” “Gossip Folks,” “One Minute Man,” and “Hot Boyz.” With each track, she wove through eras, blending nostalgic hooks with outer-space theatrics.

A journey to “Planet Neon” followed, pulsing with vibrant costumes and dance breaks to “Work It,” “Pass That Dutch,” and the high-octane closer, “Lose Control.”

The night wasn’t about shock value or reinvention. It was about legacy, and Elliott’s remains untouchable. Her impact is so deeply embedded in pop and hip-hop DNA that it’s easy to overlook how revolutionary her sound and visuals were and still are.

“Out of This World” served as her victory lap, a vibrant affirmation of her singular excellence. Coachella was just another orbit around the sun for Missy Elliott, a reminder to those who might’ve forgotten that she’s been setting the standard since day one.

But Missy wasn’t the only one commanding the Coachella stage like a force of nature.

Lady Gaga made her triumphant return to Coachella the very same night, headlining the festival with a high-octane, career-spanning set that thrilled fans and celebrated her evolution as a global icon. From the moment she stepped on stage, it was clear this wasn’t going to be a simple greatest-hits medley.

Gaga wove nostalgia into the present, referencing her most iconic visuals in clever, theatrical ways.

During “Paparazzi,” Lady Gaga resurrected the haunting aesthetic of her 2009 video by performing with metal crutches. For “Bad Romance,” she lay beside skeletons while a dancer wore a white crown in homage to the original video’s haunting imagery.

Gaga also spotlighted her current creative chapter, debuting tracks from her seventh studio album "Mayhem," including the moody “Disease” and the funk-infused “Killah,” which featured a surprise appearance by producer Gesaffelstein.

Coachella 2025’s opening night didn’t just mark a celebration of music, as it was a showcase of legacy, reinvention, and why artists like Missy Elliott and Lady Gaga remain in a league entirely their own.