Allegation Of Who Joan Crawford ‘Lost Her Virginity At 11’ To Reemerges After New Book

Joan Crawford’s complicated and often painful early life is back in the spotlight as a new biography revisits one of Hollywood’s darkest, most persistent rumors, that the legendary actress lost her virginity to her stepfather at age 11. The claim, which resurfaced prominently in Ryan Murphy’s FX series "Feud," continues to stir conversation about Crawford’s upbringing, her complex relationship with sex, and the emotional scars that may have shaped her rise to stardom. The revelations connect decades of speculation, onscreen depictions, and new analysis from biographer Scott Eyman, whose latest book, "Joan Crawford: A Woman’s Face," attempts to disentangle fact from Hollywood mythology, while adding new context to the rumors that have followed Crawford for generations.

In one episode of "Feud," Jessica Lange’s portrayal of Joan Crawford delivers the shocking claim that the actress “lost her virginity to her stepfather at 11." The show presents the alleged relationship as something Crawford “led,” failing to label the situation for what it would legally and morally be: child sexual abuse.

Murphy’s depiction echoes one of the longest-standing rumors surrounding Crawford’s early life, whispers of a sexual relationship with her mother’s third husband, Henry Cassin. Yet disturbingly, as in the show, the rumor was rarely framed as statutory rape throughout much of Hollywood history, even as modern audiences view the allegation through a far more accurate and protective lens.

In "Joan Crawford: A Woman’s Face," author Scott Eyman makes no reference to sexual abuse and does not confirm any affair between Crawford and Cassin. Instead, he writes that, “To the end of her life she considered him the only meaningful paternal figure she ever had," per Daily Mail.

Eyman’s position contrasts sharply with the rumor’s longevity, but he does not dismiss the possibility that Crawford could have experienced grooming or inappropriate behavior during her childhood. If she had been groomed, Eyman suggests, it could help explain what many biographers have described as Crawford’s “unconventional attitude to sex” throughout her adult life, an attitude shaped more by survival and experience than romance or taboo.

Eyman describes Joan Crawford’s sexual outlook as fluid, intense, and often transactional. As excerpted by the Daily Mail, he wrote, “Her attitude seems to have been basically utilitarian. Sometimes sex was a straight physical transaction devoid of romance. Other times it verged on the sacramental.”

Crawford reportedly engaged in affairs with several powerful leading men of her era, including Spencer Tracy, whom she said was “a real son of a b-tch when he drank, and he drank all the time,” and Clark Gable, with whom she maintained an “intermittent” relationship. To some biographers, such patterns suggest a woman who learned early that intimacy could be currency, leverage, safety, or danger.

Joan Crawford’s complicated romantic history took another unexpected turn when she became involved with former child star Jackie Cooper, who was just 17 when their affair began. At the time, Cooper was living with his mother near Crawford’s Brentwood, California home, where he frequently used her badminton court, an invitation she had generously extended.

According to biographer Scott Eyman, their dynamic shifted one afternoon when Crawford brought Cooper a Coke after an hour of playing. She noticed the teenager staring down the front of her dress, and although she initially “flirted harmlessly” before sending him off, Cooper made a move of his own. What followed was a six-month, intensely private relationship, with Crawford taking the lead and guiding him through what Eyman described as “the delicate art of wooing a lady.”

Jackie Cooper later detailed the affair in his autobiography, "Please Don’t Shoot My Dog," where he described Crawford as “a very erudite professor of love… a wild woman.” According to Cooper, she turned their meetings into ritualized encounters, bathing him, powdering him, and applying cologne “over and over again.” He remembered her dressing in high heels, a garter belt, and a large hat while posing in the mirror, a performance he recognized even then as the work of a woman who lived and breathed drama.

Cooper emphasized that there was no drinking or drugs, calling their time together “all business.” Crawford maintained a strict schedule, writing down the next rendezvous in her calendar before sending him off, something Cooper said he “could hardly wait” for. Even after their affair ended, the two kept in touch.

Whether the allegation involving her stepfather was true, embellished, or misrepresented, new readers and viewers are reassessing how deeply childhood trauma, Hollywood exploitation, and sexist power structures shaped one of cinema’s most unforgettable icons.